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C = Crow, 2015
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Dancing, 2015
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Owl Drawn, 2015
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GC 4, 2014
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Landing (Unframed), 2013
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Last Observation (Unframed edition), 2012
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Hawk Vision, 2009
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Origin of Song 4, 2009
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Gold Crowned Sparrow 1 (Unframed edition), 2008
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Raven’s Birth (Unframed edition), 2008
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Crow's Conflict, 2007
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Untitled Bird In Flight, 2007
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Taka, 2006
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Lily’s Elk (Unframed edition), 2003
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Salmon Boy, 2003
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To Hear, 2003
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Mousie (Unframed edition), 2001
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Segyp, 2001
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Conversation, 2000
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Dignity/Grace II (Three unframed drypoints without Chine collé are available), 2000
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Eros (Unframed edition), 2000
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For J & J & J, 2000
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Little Hawk, 2000
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Strong Spirit, 2000
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Hunter’s Dream, 1999
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Old Bouquet (Unframed edition), 1999
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Raven Gift, 1999
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Anger (Unframed edition), 1998
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Eagle Spirit, 1998
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Upset Self, 1998
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Woman and Box (Unframed edition), 1998
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Brandywine II, 1997/2001
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Brandywine II (Unframed edition), 1997/2001
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Brandywine II (Unframed edition), 1997/2001
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Punch, 1996
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Burning Clown and Bird, 1995
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Distant Thunder II, 1994
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Crow's Fear, 1993
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Crow Waiting, 1992
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The Girl Who Married The Whale IV, from the myth, 1991
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Crow Change, 1990
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Crying Wild, 2010
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Masking, 2015
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Plains II, 1989
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Looking Back (Unframed edition), 2003
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Salmon Boy (Unframed edition)
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Taking Uncle Home - Cheek Cheek May Altha May/Place of Ladders (Unframed edition), 2003
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She Sees (Unframed edition), 2003
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Current Exhibit: Story As Medicine
In addition to our exhibit Story As Medicine, there are two exciting events featuring Rick Bartow:
Portland Art Museum's exhibit Storyteller.
Look for the Grand Opening of the revamped Portland Art Museum's Rothko Pavilion on November 20th. The Rick Bartow Trust and several collectors have contributed to the Museum's holdings to bring this show to fruition.His art will occupy three rooms, one of which will run films about Rick on a loop. These will include two of the films the Trust sponsored.
Jeremy Scholar Gallery in London, England, through December 18, 2025:
Born in Newport, Oregon, in 1946, Bartow was a member of the Wiyot tribe of Northern California and had close ties with the Siletz community. He graduated in 1969 from Western Oregon University with a degree in secondary arts education and served in the Vietnam War (1969-71).
His work has been featured in many solo and group exhibitions nationally and internationally and is in numerous public and private collections. A recent career highlight was the completion of We Were Always Here, a monumental pair of sculptures over 20 feet high installed on the National Mall in Washington, D.C. The work was commissioned by The Smithsonian's National Museum of the American Indian.
-JSMA
Bartow's work has received national recognition. He is known foremost as a contemporary American artist, but also, one who has lived the Native American experience. Personal experiences, cultural engagement and global myths, especially Native American transformation stories, are the heart of Bartow's art.
