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Hillside, Late Fall, c.2015
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Park With Yellow and Red, c.2015
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Farmer With Barn, c.2014
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The Golden Field, c.2013
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Three Trees and Red Sky, c.2011
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Landscape (#231), c.2000
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Flat Shapes #7, c.1980s
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Back Field Conversation, C. 2013
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Coastal Rocks, C. 2013
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Santiam River, c. 2011
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Assembled Visual Record of Time Spent, C. 2009
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Model with Hat, c. 2002
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Abstraction with Figures, 2015
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Autumn Tree, 2015
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Canyon and River, 2015
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Dried River Bed #2, 2015
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Landscape with Dark Blue Hill, 2015
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Riverside, 2015
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Yellow Tree, 2015
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Distant Orange, 2014
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Driftwood, Sand, and Rock (OR Beach), 2014
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Fresh Fruit, 2014
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At the Farmer's Market , 2013
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At the Farmer's Market #20, 2013
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Farmers Market 5 , 2013
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Farmers Market 6 , 2013
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Sea Rock, 2013
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Untitled (Farmers Market Series), 2013
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Farmers Market #3, 2012
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Figure on Path, 2012
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From Land To Sea, 2012
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Head Study #41, 2012
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Landscape at Dusk, 2011
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Riverbank with Yellow Tree, 2011
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Autumn Tree , 2009
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Blue Ridge, 2009
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Old Tree Trunk, 2009
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Studio Visitor, 2009
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White Mask, 2009
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Landscape With Oak Tree, 2008
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Landscape, 2007
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Beach, 2004-2005
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Butte, 1998
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Smoker, 1997
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River Rock #6, 1994
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Plant Forms - Abstraction, 1990
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Moss on Branches, 1981
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Tree, 1960
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Approach
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Beach #4
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By The Sea
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Collage #20
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Distant Gaze
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Drifting
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Driftwood and Beach Grass
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Evening Walk
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Face
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Face #3
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Fields and Winter Sun
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Figure in Doorway
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Figure with Black Shape #15
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Landscape from Hwy 99
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Landscape with raincloud
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Landscape, Alton Baker Park
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Man and Painting with Yellow Shape
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Model with Scarf
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Orange Sky
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Paper Shapes with Thread
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Park Fall Color #1
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Park with Oak
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Pond in Fall
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Red Hill
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Tree and Golden Field
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Trees, Blue Sky
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Two
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Untitled
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Untitled (Boy)
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Untitled (Soft Landscape)
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Untitled (Yellow Figure)
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Untitled Abstract
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Woman With Barn
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Young Man
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Painting is something I need to do – create – to work with color and composition – from my imagination, memory, and observation. – Mark Clarke, Artist Statement, 2009
Venerable Eugene artist Mark Clarke was best known for his unique and quietly powerful landscapes of the Willamette Valley. The Central Oregon Coast, Fern Ridge, and the rural farmland of Oregon were some of his favorite subjects. Some of his paintings were started on location, then worked on for long periods in his studio. Others were entirely from his imagination, nourished by his long experience of living in, observing, and painting the region. Clarke's vision of the landscape resulted in soft, luminous, almost dream-like works.
His experimental figurative works, generated primarily from his imagination, took him in a very different direction from his landscapes. He used this body of work to experiment with a variety of techniques and tools for handling paint: a greater use of texture, more impasto, wide brushes, painting knives, and glazes, all of which added further power and boldness to these pieces.
Clarke built and painted his own frames, complementing his work with an additional element that expressed his aesthetic and artistic commitment.
In describing his work, Clarke said: "It's hard to talk about paintings like these because there is no formula. They come out of the process -- the working on them. Things change from day to day. I work on them over and over and over again...even these little ones. It's like landscaping -- moving the shrubbery around!"